Nilikuwa mwana wa Mungu
Japo naweza kulisha watu elfu tano
Kwa mikate mitano
Kwa mikate mitano
Nilikuwa mwana wa Mungu
Japo naweza tembea juu ya maji
Tena bila kuzama
Tena bila kuzama
Nilikuwa mwana wa Mungu
Nimefanyika kuwa wa kumbokea Yesu
Nakumwamini yeye
Nakumwamini yeye
Nilikuwa mwana wa Mungu
Japo naweza kulisha watu elfu tano
Kwa mikate mitano
Kwa mikate mitano
Nilikuwa mwana wa Mungu
Japo naweza tembea juu ya maji
Tena bila kuzama
Tena bila kuzama
Nilikuwa mwana wa Mungu
Nimefanyika kuwa wa kumbokea Yesu
Nakumwamini yeye
Nakumwamini yeye
Jiwe isipokuwa mkate
Mimi bado mwana
Mimi bado mwana
Mimi bado mwana
Mimi bado mwana
Nina uhakika
nimefanyika
ukinijaribu
Mimi bado mwana
Mimi bado mwana
Mimi bado mwana
Nina uhakika
nimefanyika
Nikipita jangwani
Mimi bado mwana
nikipita kwenye moto kali
Mimi bado mwana
nisipoona sivyo
Mimi bado mwana
Nina uhakika
nimefanyika
Nikiwa mslabani
nikipaa angani
nikiwa duniani
Mimi bado mwana
Nina uhakika
nimefanyika
nikiwa matopeni
Imeandikwa
mimi bado mwana
wewe bado mwana
mimi bado mwana
mimi bado mwana
Nina uhakika
nimefanyika
Mwana
Mwana Song Meaning, Biblical Reference and Inspiration
Paul Clement's song "Mwana" presents a powerful declaration of identity rooted in faith. The lyrics repeatedly emphasize the core statement, "Nilikuwa mwana wa Mungu" (I was a child of God) and more predominantly, "Mimi bado mwana" (I am still a child/son). This central theme highlights that one's status as a child of God is foundational and unchanging, regardless of outward abilities or challenging situations. The song contrasts this fundamental identity with potential miraculous capabilities, such as feeding thousands with minimal resources ("kulisha watu elfu tano kwa mikate mitano") or walking on water ("tembea juu ya maji"). These references strongly echo biblical accounts of Jesus' miracles (feeding the five thousand in Matthew 14:13-21, Mark 6:30-44, Luke 9:10-17, John 6:5-15, and walking on water in Matthew 14:22-33, Mark 6:45-52, John 6:16-21), suggesting that even possessing such divine power does not supersede the identity of being God's child. The song implies that this identity is the most crucial aspect, the source of belonging and purpose.
The narrative shifts to emphasize the transformative power of receiving and believing in Jesus ("Nimefanyika kuwa wa kumbokea Yesu nakumwamini yeye"). This pivotal moment solidifies the identity as a child of God, suggesting a transition or confirmation into this state through faith. The song then moves into a series of declarations reinforcing this identity despite various trials and circumstances. Phrases like "Jiwe isipokuwa mkate" (A stone instead of bread) likely allude to Jesus' temptation in the wilderness (Matthew 4:3-4, Luke 4:3-4), where He refused to use His power for personal gain, prioritizing obedience and reliance on God's word. The repeated affirmation "Mimi bado mwana" under scenarios such as being tested ("ukinijaribu"), passing through the wilderness ("Nikipita jangwani"), enduring intense fire ("nikipita kwenye moto kali"), facing lack of clarity or vision ("nisipoona sivyo"), being on the cross ("Nikiwa msalabani"), ascending ("nikipaa angani"), being on earth ("nikiwa duniani"), or being in challenging or unpleasant circumstances ("nikiwa matopeni") reinforces the unwavering nature of this identity through all phases of life, including suffering, triumph, and mundane existence.
The song's message is deeply rooted in the Christian understanding of sonship, often referenced in scripture. For instance, John 1:12 states, "Yet to all who did receive him, to those who believed in his name, he gave the right to become children of God." Romans 8:14-16 speaks about being led by the Spirit of God and thus being children of God, bearing witness with our own spirit. The lyrics' assertion of confidence ("Nina uhakika, nimefanyika") underscores a settled assurance in this divine relationship, not based on performance or circumstance, but on belief and reception of Christ. The line "Imeandikwa mimi bado mwana" (It is written, I am still a child/son) further anchors this identity in scriptural truth, implying that this status is not self-proclaimed but divinely ordained and confirmed. The song extends this truth to the listener, declaring "wewe bado mwana" (you are still a child/son), making the message personal and inclusive, reminding believers of their secure standing in God's family. Released on 2024-11-22, the song serves as a contemporary anthem for believers, encouraging steadfastness and confidence in their spiritual identity amidst life's fluctuations.